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Why Is John Lennon Wearing a Skirt?
written and performed by
Claire Dowie
directed by Colin Watkeys
A comic journey through female roles and dress codes via "the knicker factor" school discos and errant sperm through the eyes of one young woman who wants to be a Beatle.
SIX stars and one of the Best of the Fest in the Edinburgh Evening News:
Claire Dowie's award-
www.edinburghnews.scotsman.com/what-
Still angry, still hilarious, and still right, Why is John Lennon Wearing a Skirt? is phenomenal. This is not only a blistering rally cry for gender equality, but also a life-
www.whatspeenseen.co.uk/reviews/face-
More five star reviews for Claire Dowie’s recent performances in Edinburgh London and Brighton at: www.twitter.com/theatresolo
Don't miss "the inimitable Claire Dowie" perform this Fringe Classic:
"A breath-
London Fringe Award Winner 1991
CLAIRE DOWIE performs
THE YEAR OF THE MONKEY
Claire Dowie tells tales of extraordinary, ordinary people in a virtuoso performance of her own play The Year of the Monkey.
(now published by Methuen with Designs For Living & Sodom)
“A superb spiky performance ” (Guardian)
Storytelling with a difference -
Dowie is definitely worth catching.
(Manchester Evening News)
You would, as our own dear Nancy Banks Smith might say, be looking at Claire Dowie a long time before you were reminded of an allotment-
A convincing endorsement of “stand–up theatre”.
(Guardian)
“Claire Dowie combines the smoothness and audience rapport of a stand-
H to He
(I`m turning into a man)
written and performed
by Claire Dowie
Inspired by Kafka`s Metamorphosis H to He adds new twists in the maze of gender identity and sexuality ... One morning a woman wakes up to discover she is turning into a man.
"And that`s the cunning twist Claire Dowie uses
to explore not just aspects of female ageing,
but also gender identity and sexuality.
Before our eyes she morphs from defiantly
mini-
grotty hygiene, sloppy habits and lecherous urges."
"a heady mix of monologue stand up comedy and cabaret
-
Wood and you`re only partly there."
"as she peels away the fake femininity her own unspecified
gender takes shape -
"an original piece of theatre: challenging, uncomfortable, funny, shocking even, and entertaining along the way"
Reviews from The Herald, Rainbow Network and Time Out